Tuesday, February 14, 2017

Valentines Igloo Takes the Cake.

Recently downtown it was spotted that there is an igloo.

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It's a fairly legitimate structure, of about 8 to nine feet in height. It was clearly built by students in their spare time, above Bass Library on the Cross Campus lawn in front of Sterling.

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Snow structures are not new to New Haven. There are a number of other happenings, particularly the structure known as "SnowBama" that appeared as far back as 2014. And the trend continues into this year, with new edifices constructed in town, such as "Snow Buddha" (another David Sepulveda creation)

Aside from this winter being warm, towards the beginning, we did get a fair amount of icy precipitation in the month of February. California has received record amounts of precipitation.

Thursday, February 9, 2017

Incredible Turnout for IRIS-CT

IRIS Run For Refugees and March 2017 from New Haven, Connecticut on Vimeo.

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Harlem Rennaisance at the Beinecke Library

#HarlemRen at the Beineke Library from Travis Carbonella on Vimeo.

Read more on the official website at beinecke.library.yale.edu/harlemren.

Travis Carbonella's new video about the #HarlemRen explains everything about why you need to come to New Haven and go to Yale's Beinecke library and see this exhibit. Perhaps if you live in Harlem, or you live in New York City and you have an interest in learning more about the history of our culture; if you're interested in seeing this, it will be on display from Friday, January 13, 2017 to Monday, April 17, 2017.

It contains original material by:

Bessie Smith
Bill “Bojangles” Robinson
Ralph Ellison
W.E.B. Du Bois

And many others. 

Wednesday, February 8, 2017

Discover the Artist at Work: New Shows at Kehler Liddell Gallery

Thursday, February 16 - Sunday, March 19

Step into the mind of the artist in two new Kehler Liddell Gallery shows: Monoliths and Magic by Edith Borax-Morrison, and Studio Still Lifes by Frank Bruckmann. Together, the works of Borax-Morrison and Bruckmann bear witness to the daily workings of an artist: the mindset, the mechanics and the necessary materials to make art. Both shows are on view at the Westville gallery from Thursday, February 16 through Sunday, March 19, with an Opening Reception planned for Saturday, March 11 from 3pm - 6pm.

The intricate interwoven lines, circles and marks in Borax-Morrison’s abstract drawings speak to the very nature of the artist: consistent, compulsive, with meticulous attention to detail. On display in Monoliths and Magic are a series of small pen and ink drawings from the artist's sketchbook, revealing how her “mind fibers” or “penweave” drawings take shape. From sketchbook to larger formats, the show also includes a group of drawings from “Mollie’s Magic” and a series of monoliths. 

“My work is influenced by surreal, mystical, and psychological elements from the past,” explains Borax-Morrison. “I am also fascinated with weaving, hair, fairy tales, myths, and primitive societies. All of which appear in my work.”

For Studio Still Lifes, Bruckmann has composed a collection of oil paintings depicting the life in his studio. Increasing the mission of the materials that are foundations to every piece of his artwork—crimped oil paint tubes, bottles of viscous medium, ancient canvas pliers—they are abruptly shifted to the forefront as the very subject, keenly observed and elevated into objects of art, no longer worthy only to the artist.

Bruckmann’s brushstrokes, use of color, form and texture are his mechanisms to paint the tools of the art studio, creating a lusher and nearly kinetic subject. Though referred to as a “still life,” visits will find that they are more about “life” than “still.”

For more information about the artists and these two shows, visit www.kehlerliddell.com, call 203.389.9555, or follow the Gallery's Facebook page. Kehler Liddell Gallery is located at 873 Whalley Avenue in New Haven, Connecticut. Gallery hours are Thursday through Friday from 11:00am - 4:00pm: Saturday and Sunday from 10:00am - 4:00pm. It is free and open to the public.

IMAGES: Monolith #314"x17", pen and ink, by Edith Borax-Morrison; Studio Apples, 24 x 36” detail, oil on canvas, Frank Bruckmann